#Espionage tv series series

#Espionage tv series series

Comic book fan favourite Kamala Khan finally entered the MCU in a Disney+ series that captured her youthful spirit, effervescent personality, and the specificities of her cultural heritage in spades. Read Empire's review of The Lazarus Project. Throw in exploration of morality, consequence (and lack thereof) and weighing personal need with the greater good and you have a thrilling, slickly produced sci-fi show that’s as thought-provoking as it is fiendishly addictive. Not only is the show packed with stellar performances (both Anjli Mohindra and Tom Burke are on excellent form) but Barton’s story morphs and shifts along with its looping timeline, wrong-footing you just when you think you have the plot all figured out. Paapa Essiedu ( Gangs Of London, I May Destroy You) plays app designer George, whose innate ability to ‘remember’ the resets gets him recruited and hastily inducted into a world of espionage and government-sponsored temporal tinkering. For the next 12 months, a covert government agency can turn the clock back to that same summer morning in order to avert extinction level events. Such is the case with Joe Barton’s ( Giri/Haji) The Lazarus Project, which postulates that the presence of a convenient singularity creates a checkpoint every 1 July. Time travel stories are as old as the hills, but it’s extremely rare to find one with a genuinely fresh idea at its heart. The cherry on top? Season 2 was shot before the first had even aired, making more Slough House goodness a welcome certainty. Funny, surprising and occasionally touching, Slow Horses’ setup may position it as Poundland Le Carré, but the execution is anything but. Lamb’s team of fuck-ups are lovable losers one and all, but it’s Oldman that dominates, his scenes spent trading barbs with Kristin Scott Thomas’ icy intelligence chief being pure, profanity-laden art. The plot of this first season (based on Herron’s first book) is a taut conspiracy involving a kidnapping, extremists and weaponising public opinion, but the real delight here is the character-work. Gary Oldman steals the show as swearing, farting, washed-up spy Jackson Lamb, overseeing a gaggle of operatives in exile, including the recently demoted and shamed River Cartwright ( Jack Lowden). Mick Herron’s Slough House books are espionage thrillers with a twist, focusing on the rejects, outcasts and misfits of her majesty’s intelligence service - a delightful proposition that translates perfectly to this six-part Apple series. Read the top 20 below, and check out the best films of 2022 so far here.Įverybody loves an underdog. Across both streaming services ( Apple TV+ has been especially bountiful in recent months) and traditional terrestrial, the box has once again had us hooked with gripping dramas and heartwarming comedies, boasting loveable characters and blockbuster-level production values.Īs we reach the midway point of the year, Empire presents the best TV shows of 2022 so far – a globe-trotting selection spanning genres, from soaring superheroics to gritty cop dramas, sci-fi showdowns to heartbreaking medical dramas. From returning series that have upped the stakes and piled on the twists, to brand new stellar shows taking us to whole new worlds, 2022 has already brought a bounty of incredible television.

But be honest – the number of must-see TV shows that have arrived this year have made staying at home a major temptation too. After all those lockdowns, being able to get back out into the world has been a particular pleasure in 2022.